I’ve said this before and I’m sure I’ll say it again, I know I get hyped over new anime a little too much. I went on about Attack on Titan season 2 last year, the Fate franchise gets a lot of unjustified love and more generally, I like a good superlative when I talk about shows that I’ve just finished or am looking forward to.
So with that said, I want it to start here by saying that looking at the slate of anime for 2018 that had been announced at the start of the year the one that I laid the highest expectations on was Steins Gate 0. In the year of more Attack on Titan, My Hero Academia and countless other promising looking shows, you have to ask, why?
So it’s February already – dreary January has gone by, and I have to say so has my apathy towards the Winter season of anime. Even if Violet Evergarden continues to be lacklustre, Darling in the FranXX was a pleasantly surprising and a couple of other shows have appeared on my radar that I’m going to give a go. I also listened to a great podcast featuring some fellow bloggers today, so if you’re looking for some anime banter to chill with, then go and check it out!
But right now I want to talk about Beatless. Last time I wrote about this show was in my first thoughts on the season and I was very cautious after seeing the first episode – Red Juice’s character designs that I was so looking forward to seeing have been tempered by Diomedea’s average art adaptation, but after three episodes I’m actually quite intrigued to see where things are going.
As I mentioned in a previous post, I’ve been struggling to pick out shows to watch from Winter 2018’s offering. Despite it’s questionable title and some apprehensions I very much still have about it, it is particularly good that I stumbled across Darling in the FranXX.
Best described as a Sci-Fi-Mecha with potential to become a romance, Darling in the FranXX is set in a future world where the only children that are born are locked in a the so called ‘birdcage’ in order to train to as ‘parasites’, pilots of humanoid mechs known as FranXX that fight monsters called Klaxosaurs that threaten human civilization.
On Friday I was lucky enough to get up to London for the first day of the second MCM of the year. While I was there I made some additions to my anime collection, most notably was the first part of the 2012 series, Hyouka.
The show follows Hotaro Oreki, a dedicated ‘energy conserver’, attempting to get through his high school life doing as a little as possible to get by. After a letter from his travelling sister, he joins begrudgingly joins the Classical Literature club where he meets the enthusiastic and overbearing Eru Chitanda.
Episode one doesn’t waste time in getting down to the pull of this story: mystery. Eru is ‘curious’ about the Hotaro’s ability to solve the everyday mundane mystery which in the opening episodes range from how Eru gets herself locked in the club room to why a specific book was taken out only to be returned later the same day on five consecutive Fridays.
In my work crazed state I’ve fallen into a bit of Fate moment: watching Fate/Apocrypha as it airs, rewatching the first couple of episodes of Fate/Stay Night Unlimited Blade Works in preparation for the Heaven’s Feel movie in October and finally downloading the new mobile game in the franchise, Fate/Grand Order.
At the start of the year (it was actually New Years Day in fact) I watched the one off extended episode of Fate/Grand Order: First Order, before letting it slip to the back of my mind and promptly forgetting it. The anime adaptation of the prologue of this game was okay at best with a cast of characters that felt as if they should have been in a mobile game. Well, that’s the thing isn’t it – because they actually work very well in the real mobile game.
Occam’s Razor. When you have two or more possibilities, the more obvious one is usually the most likely.
I start my first impressions post on the second of season of Durarara because it is one of the biggest cases of what you see is what you get I can remember in an anime sequel. The first season of the show followed a host of different characters in district of Ikebukuro, Tokyo, with stories that rarely crossed over the course of 25 episodes, only to all come together fairly well in the final few episodes. When I was wondering what I was going to get from this second season, I shouldn’t have thought quite so hard – it’s by far the most obvious possibility: much more of the same.
It’s been a long time since I did a first impressions article. That’s mainly because I haven’t watched any back catalogue anime in such a long time. Last month, you might remember that I asked you all to help me choose what to watch next and the winner of that vote was the Economics/Romance classic Spice and Wolf. As I’m sure many people would have probably felt before watching the show, I had no idea what to expect from this strangest of genre combinations; this article will tell you all what I made of things three episodes in (sorry for the poor image quality by the way – still waiting for my Blu-Ray copy to arrive from the States).
Before I start I guess it’s fair to share the two preconceptions I had about Spice and Wolf before I started watching: firstly, most of the show is about economics and secondly, Holo ranks pretty highly on anime fans best girl lists.
Over the past two weeks the Winter 2017 season’s shows have been airing their first episodes and the anime community has reacted largely with disappointment. Unfortunately I can’t help but agree with the majority of people and say that original shows this January are a huge let down – though there are some big name titles getting sequels that have helped lessen the issues (KonoSuba, Blue Exorcist and Chaos;Head most notably).
On the one hand we’ve got some bland rom-coms like Masamune-Kun’s Revenge (if that’s even a romance!?) or Fuuka (which I’ve yet to start but appears underwhelming even from the promo material). Then at the other end of the spectrum we’ve got ridiculous fantasy shows epitomised by the abhorrent Hand Shakers (the article on that one will be scathing, I promise).
But this evening I saw the proverbial silver lining to this season in Scum’s Wish or Kuzu no Honkai. Having seen and then ignored the manga on Crunchyroll, I was eager to have a look at what sounded like an interesting premise for anime adaptation.
Merry Christmas everyone! It’s been a lifetime since I’ve posted anything here so in the next few days I’ll be writing an update of all of the things I’d like to write about in the next couple of months. There is though a reason for coming back to write on Christmas Day: the biggest piece of anime news since I’ve been watching anime (at least in my mind), Attack on Titan season 2 is coming, and last night (in the UK, early morning in Japan), we got the first trailer!
If you asked most people in the west to name one anime they would probably say Attack on Titan and though I like to think that I’ve got better at seeing through the hype generated by shows, I have to say Attack on Titan completely deserves it. That’s why I was so excited when I saw this new trailer had been released and I’ll join the crowds in saying that it’s fantastic.
For a minute and a half’s worth of content we gain a lot from the trailer. Most notably an increase in the number of, if not intelligent, unique titans. The main new addition is a titan that might be described as gorilla like known as the beast titan but also there seemed to be an agile jumping titan that had a particularly good aim for the nape of other titans.
It’s not really the done thing to write reviews of shows after only one episode has aired but with Kabaneri of the Iron Fortress I couldn’t help myself. Taking up the Spring 2016 noitaminA slot and having the privilege (?) of being the first anime to stream through Amazon Prime, Kabaneri is a steam punk style anime that sees humanity stuck behind walls hiding from some terrible man eating monsters.
I know what you’re thinking – that sounds just like something else I know… Well hold that thought, I’ll get to it a little later!
The main character of episode is rebellious ‘steam smith’, Ikoma who as well as servicing the locomotives that allow humans to travel between stations (essentially human settlements) is trying to create a weapon to kill the Kabane.